The Renaissance Era: Josquin & Palestrina

Chapter 3 of 8 · Renaissance, c. 1400-1600

"Renaissance" means "rebirth" — and music was reborn too, as composers layered several independent melodic lines together into rich, glowing harmony.

Different eras. New instruments. A story that keeps growing.

A "rebirth" for art, learning, and music

The word "Renaissance" means "rebirth," describing a period when art, science, and learning all flourished across Europe. Music changed dramatically too. The invention of the printing press around 1450 meant sheet music could be copied and shared quickly for the first time, instead of every copy being written out by hand — music spread faster than ever before.

Many voices woven together: the rise of polyphony

Composers got much more ambitious about combining melodic lines. Where the late Medieval era had just started stacking two voices together, Renaissance composers wrote for four, five, or even more independent vocal lines at once, all weaving in and out of each other — a style called polyphony. Most of this music was still sung a cappella (voices alone, no instruments), especially in church.

Music at home: the lute and the madrigal

At home, the lute became hugely popular — a pear-shaped, plucked string instrument sometimes called the "king of instruments" of the era. Composers also began writing madrigals: secular (non-religious) songs, often about love or nature, meant for small groups of singers to enjoy together for fun rather than perform in church.

Where are we in the story?

  1. Medievalc. 500–1400
  2. Renaissancec. 1400–1600
  3. Baroquec. 1600–1750
  4. Classicalc. 1750–1820
  5. Romanticc. 1820–1900
  6. Modernc. 1900–today

Approximate dates · Timeline not to scale. Select an underlined era to explore its chapter.

Meet the composers

Different people, different musical ideas. Who will you remember?

Josquin des Prez

c. 1450-1521

A Franco-Flemish composer so admired in his own lifetime that Martin Luther reportedly said other composers "do as the notes will," but "Josquin did as he willed." He wrote masses and motets prized for how naturally the music matched the meaning of the words.

Giovanni Pierluigi da Palestrina

1525-1594

An Italian composer who worked in Rome and wrote over a hundred masses, famous for polyphony so clear and carefully balanced that it became the model generations of later composers studied to learn counterpoint.

Thomas Tallis

c. 1505-1585

An English composer who served under four different monarchs, writing music for both the Catholic and Protestant church services of a turbulent time. He is especially remembered for an astonishing 40-voice motet, "Spem in alium."

Palestrina's Missa Papae Marcelli — polyphony clear enough to save itself

A well-known story from the era says that church leaders at the Council of Trent worried that dense polyphony made the sacred words impossible to understand, and considered banning it from church services altogether. According to the legend, Palestrina's "Pope Marcellus Mass" — polyphonic, but carefully written so every word still comes through clearly — helped convince them that many woven voices and clear words could coexist.

What did you discover?

Give it a go! Choose an answer, then check it to find out more.

Your discoveries0 of 4 questions checked · 0 correct

1. What does the word "Renaissance" mean?

2. What is "polyphony," the style Renaissance composers embraced?

3. True or false: the invention of the printing press helped Renaissance sheet music spread faster than before.

4. Which instrument, a pear-shaped plucked string instrument, was hugely popular at home during the Renaissance?